| Comparison: |
| LCM 89/85 condenser mics | LDM 94 high power Dynamic mic |
| Clean, Pure Natural sound | Soft, Warm Sound |
| Gives all frequencies | Less frequency response |
| You’ll hear "everything" | Smoothens your sound |
| On floor monitors (stage): | On floor monitors (stage): |
| Needs more adjustments | Easier to adjust |
| On Room Mix: Gives more possibilities for sound adjustments. |
On Room Mix: Less possibilities |
| Cannot handle very loud attack | Can handle loud attack |
| Condenser sound | Dynamic sound |
| Stainless steel clamp | Molded clamp |
| Preamp + Tone controls | No preamp / controls |
| Higher price | Lower price |
| On Alto: less sharp |
! This comparison can differ
from your situation, depending on your mouthpiece, reed, playing
techniques,
saxophone type and your engineer and equipment.
PS: You can exchange the LDM and LCM mic elements in the different SDS clamps.